The meeting of Angela Lo Priore with the territory of the ex Yugoslavia reveals itself decisive for his artistic journey. An ex establishment metalworking of Montenegro, with its lights and shadows to tell, is transformed into the perfect backdrop for the works of the photographer. The perfect nude female body, represented by an alternation of people of flesh and blood and mannequins, becomes the subject of the exhibition.
The contrast created between the decadents and into disuse factories and the aesthetic perfection of mannequins portrayed would encourage to reflection on the modern fashion system that manufactures, uses, consumes and destroys the female body, but nevertheless, continues to attract new generations of women of countries bordering consumerism.
The passion for photography of Angela Lo Priore borns through the world of architecture and advertising, and then specializes in portraits of celebrities.
With the exhibition "Manichini - Mannequins", the already known photographer intends to propose a new form of investigation. The potentialities of the human features are used to tell the seriality of the modern factory of beauty.
With the exhibition "Manichini - Mannequins", the already known photographer intends to propose a new form of investigation. The potentialities of the human features are used to tell the seriality of the modern factory of beauty.
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